YI HSIN TZENG collects large amounts of international commercial images from her daily visual environment. The action of altering and appropriating not only establishes her regurgitated aesthetics but also proclaims a regained control of the image.
She see herself as a loyal painter, who looks for various media and approaches to fulfill her intention. Her current work mainly investigates the shape and the color of human desire by the approach of combining found images or objects with the playful mark-making. This body of work usually presents in the form of organic liquid, which she name “Flows.” “Flows” not only represent the invisible relationship between figures, but also projects her grotesque fantasies or cynical comments towards the use and iconography of images. Under this colorful sugar-coated appearance, she tries to establish a regurgitated aesthetic, an ambiguous paradise—seductive, disturbing, sweet and humorous at the same time.
Love-it 